Before filming there are many decisions to be made. One that affects so much of the finished film is what stabilisation we provide for the camera.
WE USE HAND-HELD WHEN:
- We want your video to have a raw documentary feel to it
- We are at a fast paced event and need to get around quickly
- We want to create an immersive “in-the-moment” feeling
- We want to be less intrusive – a tripod might cause safety issues
WE USE A THREE-AXIS GIMBAL WHEN:
- We want dynamic camera moves to give videos a smooth, polished feel
- We want to follow someone doing something active – walking, running, etc
- We need stable footage from a moving vehicle
WE USE A TRIPOD WHEN:
- We want a calm, professional feel to the video
- We want the viewer to focus on a face and what our subject is saying
- To remove shake when using a telephoto/macro lens for close ups
An event highlights film for BSI – we use a tripod for the presentations…
…but when the meeting breaks into active group discussions we go handheld…
… allowing us to change position and angles very quickly…
…then for a “face in the crowd’ we use a telephoto lens meaning we’ll need a tripod.
And there are some other options:
Monopod – this offer more stability than handheld, and allows us to move quicker than with a tripod, so we use it for locations and interviews in active, crowded areas.
Slider – we often bring our electronic slider to give an extra something to our interview setups or add some movement to calm tripod shots.
Mixing stabilisation methods within a video – we often mix stabilisation methods appropriate to what the sequence aims to achieve. For example, at a workshop we will use a tripod/slider for the presentations and then hand-hold to capture the frantic group activities (like the shots above). Occasionally we’ll even add the hand-held look to tripod shots in post production if the entire video calls for a documentary feel.
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